‘The Craft' Star Robin Tunney, 53, Hasn't Aged a Day 30 Years After the Beloved ‘90s Film
Robin Tunney hasn't aged a day, 30 years after she skyrocketed to fame in the 1996 film The Craft.
Tunney, 53, became an icon in the role of Sarah, the new girl at a Los Angeles high school who becomes friends with a group of aspiring witches. The film, which also starred Fairuza Balk, Neve Campbell, Christine Taylor, Breckin Meyer, Skeet Ulrich, and Rachel True, became a '90s classic that's still replayed endlessly. Tunney also made her mark with a shaved head in the 1995 film Empire Records alongside Liv Tyler and Renee Zellweger.
In the 30 years since The Craft, Tunney has worked consistently, with roles on shows like Prison Break and The Mentalist. While she'll always be identified with the '90s classic, the star looked absolutely ageless while attending the MOCA Gala 2026 at The Geffen Contemporary at MOCA. In a new photo shared on her Instagram, the beauty, sporting a silver silk dress, made it clear she hasn't aged a day in the 30 years since her iconic film role.
Looking Back on The Craft
While attending the MOCA Gala, Tunney opened up about how much The Craft resonated with young people over the last 30 years.
"I love the fact that The Craft celebrated girls that were the weirdos, and I still feel like a weirdo, and this idea of, like, being outside of the box and feeling like high school isn't the place for you. It's about like female empowerment and friendship and it wasn't about boys, it was about these girls who felt different than," she told PEOPLE, adding that she's still "so proud to have been a part of it."
While the movie came out decades ago, people still remind Tunney how much it meant to them as they grew up feeling like outsiders.
"It's like survived generations and like the people that it speaks to... it's so funny, like, there'll be men that come up, and they're like, 'The Craft made being a queer boy in high school like tolerable,' and I was like, 'There wasn't a queer boy in it,'" she laughed. "And I love that because it was directed by a queer man, and somehow they felt it. And I feel like people can sense when filmmakers love them and see them in the storytelling."
Related: '90s 'The Craft' Icon Fairuza Balk Makes Career Pivot with Sunbeam-Filled Selfie
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This story was originally published June 7, 2026 at 7:59 AM.