Like The Count of Monte Cristo or A Christmas Carol, Jane Eyre is so classic, and so inspired and to some inspiring, that its almost impossible to do a version that doesnt work.
By the way, a friend did a count one time and told me Jane Eyre has been made into 27 movies and TV mini-series. And the Battelle Film Club brings this to the Tri-Cities.
Each version, of course, has its own special merits. Director Cary Fukunaga (the excellent Sin Nombre) and writer Moira Buffini who penned the excellent and pretty much not seen Tamara Drewe tweak Charlotte Brontes book a bit.
It will bother some, but what really makes this version work for me is the acting. Mia Wasikowska (Alice in Wonderland) is a charismatic young actress whose work gets better with each outing. She can dominate a scene just standing there listening. Its a rare and impressive gift.
Cast as Rochester is the now ubiquitous Michael Fassbender, who last year alone did Shame, A Dangerous Game opening this week at Carmike X-Men: First Class and Jane Eyre.
As an aside, Fassbender looks and sounds exactly like acting legend Burt Lancaster. The voice and delivery style are especially uncanny.
Whether Fassbender sounds and looks like Lancaster is immaterial. The guy can flat-out act and as with all roles in 2011, Fassbender is fabulous in Jane Eyre.
Purists may not love this version. There are flaws. But its Jane Eyre and to Jane Eyre is divine.
Mr. Movie rating: 4 stars
Rated PG-13 for mature themes. It plays one-time only 8 p.m. Friday, Feb. 3 at the Battelle Auditorium.
5 stars to 4 1/2 stars: Must see on the big screen
4 stars to 3 1/2 stars: Good film, see it if it's your type of movie.
3 stars to 2 1/2 stars: Wait until it comes out on video.
2 stars to 1 star: Don't bother.
0 stars: Speaks for itself.
Similar stories:
Battelle Film Club to spotlight Liz Taylor
Battelle Film Club to spotlight Liz Taylor
Battelle Film Club is offering a Liz Taylor double feature: A Place in the Sun and Who's Afraid of Virginia Woolf .
An interesting choice. The contrast in the acting styles between A Place in the Sun and Virginia Woolf is stunning. Taylor is more of a supporting character in the first and won an Oscar for what some consider her most powerful work in Virginia Woolf .
I recently caught A Place in the Sun and the plot focus is Montgomery Clift's confused, social-climbing character. Using a breathy, little girl-like delivery akin to Gone with the Wind 's Scarlett O’Hara, Taylor’s low-key work doesn’t give you a hint of the powerful, emotional actress she eventually became.
'A Dangerous Method' dangerously slow
'A Dangerous Method' dangerously slow
Groups like the Golden Raspberry Awards Foundation give out bad acting awards and winning a Razzie to some actors is an honor.
In my book, the Razzie winner for 2011 is hands down Keira Knightley.
-- Local show times, theaters, trailer.
'Cave of Forgotten Dreams' interesting, but meandering
'Cave of Forgotten Dreams' interesting, but meandering
Mention Werner Herzog in connection with a documentary and raves follow.
The guy is a legend, and that's one reason why Battelle Film Club is showing his work. Sometimes, even legends do work that is less than legendary.
A good example is Herzog’s latest, Cave of Forgotten Dreams . He takes you to the Chauvet Caves in southern France. There, in 1994, hikers discovered a cave full of paintings that scientists estimate are 32,000 to 35,000 years old.
'The Girl with the Dragon Tattoo' fabulous in English
'The Girl with the Dragon Tattoo' fabulous in English
Newly crowned superstar Daniel Craig picks up the role of scandalized and ostracized investigative journalist Mikael Blomkvist.
He’s hired by a rich industrialist to solve a 40-year old murder mystery. Blomkvist is joined by Rooney Mara’s, goth girl, Lisbeth Salander, whose investigative skills match his own.
Together and separately, they navigate their way through a brilliant whodunit packed with intense and delicious twists and turns.
'Haywire' nothing faulty in this action flick
'Haywire' nothing faulty in this action flick
Haywire opens with one hell of a good fight. A beautiful woman and a totally buff guy go at it.
Dishes fly, chairs fly, people fly. Crack goes a bone, off goes a gun, the woman grabs a bystander and his car, and on the run she goes.
Much of the set-up of her story unfolds as the two escape. Like the fight, it’s one hell of a tale and full of surprises.