A friend of mine contacted me a couple of weeks ago. He told me he's begun composing his best films of the decade list.
Already?
That can't be possible. Has it really been a decade since Erin Brockovich got everybody buzzed about Julia Roberts and Oscars and Hollywood discovered a great new screenwriter Mike Rich whose first film was the exceptional Finding Forrester. Can nine years have passed since the first The Lord of the Rings flick?
Just thinking a few minutes about it and there are three contenders for my best-of list. By the way, I hate compiling them. People are always asking me to name my favorite movie. You might as well ask me to name my favorite child. I like so many of them and hate so many more. I'm still required by some hidden, never-explained-to-me-law to give rating points to movies. It used to be bags of hot-buttered popcorn. That evolved into grades A through F. Now it's stars one through five.
I'm to blame for the popcorn rating, which I borrowed from a generous friend who used to use it to review videos for a mid-Willamette Valley video store chain in the mid-1980s. After the novelty of the popcorn grew stale, so did my enthusiasm for rating. But I'm a good sport and we kept it up.
I rather liked Roger Ebert and Gene Siskel's system. Thumbs up or thumbs down. So simple. So easy to understand, but they'd already taken it so I grabbed the bag of popcorn. Really, I like a movie or I don't. Rating them is painful. Those I don't like I wish I could just say, "I don't like," and be done with it. Those I do can get rated.
But this is a topic for another day and between me and the Tri-City Herald editors. Our subject is the best films of the decade: Jan. 1, 2000 through Dec. 31, 2009.
Cynics -- and those who are picky -- are instantly pointing fingers and saying, "We're not at December 31 yet, so how can you choose?" My guess is that aside from Avatar nothing I'm going to see between now and the end of the year has a remote chance of finding its way to that list.
I'm also thinking 20 movies instead of the usual top-10. It's a decade and deserves more. The critic in me says we also need a worst of list. That could top 100 and I'll leave that one be. You can do one if you want and share it with me.
And that's the point of this. What movies make your top 10 list? Post them and let's have the discussion of the decade.
If you don't respond, keep it in mind. I'm going to post this -- or something like it -- several times in the next month and a half.
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2011's best, worst and a few observations on 20 years as a film critic
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First some observations: If you're just interested in my best and worst of the year picks, scroll down. They're easy to find.
Two remarkable things about 2011.
No. 1: As I write this, I am wrapping up 20 years as the Tri-City Herald's film critic. No. 2: Last year I cried at a movie. Actually, I cry at a lot of movies but for a much different reason than you suspect. But more on that in a bit.
Golden Globe gripes, predictions
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In its Golden Globe nominations, the Hollywood Foreign Press ignored last year’s best movie Win Win .
The always excellent Paul Giamatti has never been better and should have been nominated as best actor and co-star Amy Ryan best supporting actress. In my nominations, writer/director Tom McCarthy’s film is a shoo-in best screenplay and it’s a no-brainer for best picture.
The film is that good and most critics and those of you that caught it agree. Yet, to date, no nominations from any of the award givers. Not one. And all that is left is the Oscar picks.
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Like most parents, I'm always trying to find ways to get my teenage son interested in history, so it was sort of a slam dunk that I'd take him to see "Red Tails," which opened this weekend. A longtime passion project for George Lucas, who bankrolled the $58-million film, it tells the inspiring story of an African-American squadron of World War II flyboys who demonstrated in a time of rigid segregation that black airmen were just as cool and courageous as their white counterparts.
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One Day
Novels and screenplays often mix like oil and water. The book can be brilliant, deep and insightful. The screenplay and movie ends up scratching the surface. They miss key points or worse - because screenplay writers much of the time lack the balls to go for it - have an altered plot for audience gratification and a better box office take.
Then there are novelists that decide they ought to write their own screenplays. Novel writing and screenplay writing are another oil and water scenario. The novelist, familiar with the characters, their lives and what happens to them, often forgets the viewer doesn't know all of the in depth details.
Mr. Movie's list of Halloween favorites
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I’m going to ramble a bit. Normally when picking a best list you do five or 10. I’m doing six. It just worked out that way.
When you look at my picks you will note I deliberately left The Exorcist off my list. While some think it’s the best horror film of them all, I read the book and it pales in comparison. Other than Linda Blair’s spinning head, lots profanity and vomit, and Mercedes McCambridge’s brilliant work as the dubbed-in demon voice, there isn’t much substance.
I guess at this point you’ve guessed the topic of this post is horror movies for Halloween. You’ll want to get started early. These days they get gobbled up at the few video stores that are left. I know next to nothing about Netflix so I’m not sure what kind of a supply it has for those still doing the mail thing.