Food, Inc. contends that very large, profit-centered corporations produce almost all of the food in the nation and for most of the world.
They number under 10. Profit means short-cuts, increased chemicals to preserve food and hormones in animals and vegetables and fruits to make them grow faster, bigger and quicker. The food value in those techniques is reduced.
Director Robert Kenner says these companies have no scruples. Profit is what drives them. They dont care if they cause cancer or other diseases, if the fast food they produce makes us horribly obese or even if they kill us all off. Profit is their only focus.
These same companies go all out to maintain their power. Bribery, threats, legal action all are used to keep others from impacting their lust for profit. Kenner says they have deeper-than-deep pockets and can outlast and out sue anyone getting in their way.
When I was a kid, we only had one TV channel. If the TV even worked. With limited selection, I was raised on Walter Cronkites brilliant You Are There and his outstanding 20th Century in the 1950s and 1960s. With little else to fuel my imagination, they gave me an almost unnatural love of documentaries.
Today, I find them irresistible and much more entertaining and dramatic than an ordinary three-act movie.
Cronkites hourly programs also proved to be an excellent training ground. He taught me to ask questions. It is one of the life instances that drove me into journalism and to an eight-year career as a reporter. Cronkite also taught me the value of an all-important question: what is the agenda of the person giving me the information.
Following his excellent advice, I never review a documentary without wondering about the agenda of the writer/producer/director. Its an invaluable technique when youre hit with heavy propaganda from documentarians such as Michael Moore.
Food, Inc. is heavy propaganda. Kenner and his producers do have an agenda. It is to scare the living hell out of you. And they succeed. Kenner and crew are concerned about your food.
Unlike Moore and others, and at at time when we are seeing an alarming number of recalls because the food we pick up at the grocery store is poisoned, Kenner and crew hammer home some important and once you see it indisputable facts.
Add this one to your viewing menu.
Mr. Movie rating: 5 stars
Rated PG for mature themes. It opens Friday, Sept. 11 at the Carmike 12.
5 stars to 4 1/2 stars: Must see on the big screen
4 stars to 3 1/2 stars: Good film, see it if it's your type of movie.
3 stars to 2 1/2 stars: Wait until it comes out on video.
2 stars to 1 star: Don't bother.
0 stars: Speaks for itself.
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UPDATE: Battelle Film Club cancels Friday's showings
UPDATE: Battelle Film Club cancels Friday's showings
EDITOR'S NOTE: Gary Wolcott said this week's snowstorm has prompted the Battelle Film Club to cancel Friday night's program from Aesthetica Short Film Festival.
Short films is an interesting genre. Some are hits. Some miss. Most are mediocre.
What makes the genre so odd is that even the miss and the mediocre shorts have something about them that make them irresistible.
'Contraband' a rare January movie that doesn't tank
'Contraband' a rare January movie that doesn't tank
Studios dump movies in January.
This month is when the biggies released between Thanksgiving and New Year's Day begin to fade and the studios begin dribbling award-worthy art films out to smaller markets.
-- Local show times, theaters, trailer.
'The Vow' for romantic eyes only
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The Vow is based on a true story.
Channing Tatum and Rachel McAdams play characters Leo and Paige. Their story and that of the real life couple the film is modeled after have little in common. Married, careers on the upswing, he produces music and she’s an artist growing in fame. And they are very, very happy.
Then comes the traffic accident. She has serious head trauma. When Paige eventually comes around she remembers nothing about Leo or their life. All her memories are up to a year or so before she met Leo.
'The Debt' don't go into hock to see it
'The Debt' don't go into hock to see it
When a movie sits on a shelf for a year after the original release date is set it’s usually the kiss of death.
Plot flaws, bad acting, zero marketing budget and a host of other problems plague them.
This is not the case of the now-released The Debt or for last week’s Don’t be Afraid of the Dark . The official reason for the delay of both films is not plot problems or a marketing budget but the sale of distributor and art house fave Miramax.
'Jack and Jill' all downhill
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Fart jokes at age 45?
Adam Sandler is still doing them and usually within five minutes of the beginning of a movie. Hard to believe isn’t it? And he doesn’t stick with just one. Sandler’s form of “humor” can be found twice, thrice, sometimes even four times in a film.
Prepubescent boys find a toot a hoot. By the time you’re 15, fart jokes are pretty much passe. Maybe it’s Sandler’s signature. Modern comedians tend not to use them. Billy Crystal is one of the few. He’s simply marvelous. A lot of old-time comedians did. Jimmy Durante said goodnight to Mrs. Calabash. Bill Cosby’s signature is, “Hey, hey, hey.” George Burns told his lovely bride to, “Say goodnight, Gracie.”