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Published Saturday, Jul. 25, 2009

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For all its flaws, 'Orphan' will really creep you out

Vera Farmiga's (The Boy in the Striped Pyjamas) Kate is a recovering alcoholic. While in a drunken stupor she did something to lose an unborn baby and permanently damage the hearing of her beautiful pre-school daughter Max. To atone, she and hubby John (Peter Sarsgaard) decide to adopt. That brings nine-year old Esther into the family.

The Russian born kid is not a good fit. She immediately wedges herself between Kate and John. With Max's help Esther targets the couple's son Alex. Esther wears clearly out of style pinafores and does terrible things to a classmate that makes fun of her.

Murder and death follow.

Kate, of course, immediately picks up on Esther's manipulative behavior. John and Kate's counselor are clueless and think Kate's alcoholism and guilt has made her paranoid.

Orphan is a flawed movie with bad characters but it isn't all bad. Director Jaume Collet-Serra (2005's House of Wax) seems to have a sense of humor. The door opens, no one is there, it closes, you expect someone to be there, and they aren't. The camera follows a character closely as if they're being stalked. But no one is there. Even by horror film standards the sound is overly loud. And when things whoosh by, they "really" whoosh by.

Isabelle Fuhrman's Esther also arguably sits close to the top of the list of best kid horror movie villains of all-time. Her dark, kewpie doll eyes are the perfect picture of machinelike malice. Sometimes she has a Russian accent and sometimes she doesn't. You almost think that's on purpose.

Almost.

And the movie is now controversial which means an automatic ka-ching at the box office. The Congressional Coalition on Adoption Institute is upset. Creepy little Esther, in the film's best confrontational scene, tells her adoptive mother that it "must be hard to love an adoptive child as much as your own."

The group, and others that work to place children, worry that it will cast a negative pall over the kids and the process. No kidding. Warner Brothers caved and cut the line from the trailer and is said to have put a disclaimer at the end of the credits that encourages people to adopt.

I didn't stay long enough to find out.

A bigger concern -- it seems to me -- is wondering why someone would make a movie this bad and, two, why anyone would shell out cold, hard-to-come-by-these-days cash to see Orphan.

How much influence do flicks like Orphan have on the real life examples of narcissistic kids that we see for free every day in schools, malls and stores. How do films, TV shows and low-rent DVDs where kids are smarter than adults and sling out one put-down after another, influence what seems to be rampant disrespect for authority of any kind? Do the characters and the music crammed into soulless stories help create a subculture of thugs, gangsters and taggers that mark territory like dogs putting what they consider to be "art" on every blank spot they can find.

Maybe the Congressional Coalition on Adoption Institute ought to expand its focus. Or actually see what is a pretty good horror movie before filing a complaint.

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