In 1977, I saw all four of TV journalist David Frosts famous 90-minute interviews with former president Richard Nixon.
I dont remember much about them. By contrast and ironically, because director Ron Howard and playwright turned screenwriter Frank Morgan package Frost/Nixon with the best quotes from 28 hours of interviews, I will never forget them.
And some of comments like Frank Langellas Nixon saying when the president breaks the law it isnt really breaking the law and when Nixon asks if Frost spent the night fornicating are gems.
When Michael Sheens (The Queen) Frost struggles to finance his project and when he and characters played Sam Rockwell and Oliver Platt plot interview strategy, Frost/Nixon contains all the excitement of a rerun of one of Senator Sam Ervins Watergate hearings.
Two things about Frost/Nixon stand out. Both involve Langella. He is electrifying as the enigmatic Nixon. The films pivotal and most interesting scene is a revealing drunken late-night phone call from Nixon to Frost that never happened. It does however cement Langellas credibility as the character.
And two, because of that scene, Langella is able to make one of the most despised politicians in U.S. history sympathetic even likable.
Now thats brilliant.
Mr. Movie rating: 5 stars
Rated R for mature themes, language. It opens Friday, Jan. 23 at the Carmike 12 and at Fairchild Cinemas 12.
5 stars to 4 1/2 stars: Must see on the big screen
4 stars to 3 1/2 stars: Good film, see it if it's your type of movie.
3 stars to 2 1/2 stars: Wait until it comes out on video.
2 stars to 1 star: Don't bother.
0 stars: Speaks for itself.
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'Safe House' lots of camera movement for non-moving plot
'Safe House' lots of camera movement for non-moving plot
The movie is Safe House . It is anything but safe.
Denzel Washington is Tobin Frost, a rogue agent the CIA has been hunting for years. He has a mysterious chip that a very violent group wants. They corner him and faced with certain death, Frost who is in South Africa turns himself in at the American Consulate.
Ryan Reynolds is Matt Weston. He’s a CIA rookie running the safe house. Nothing ever happens there. He spends every day alone with nothing to do. His safe his is where they take the captured Frost. The men chasing Frost seem to know he’s there. They raid the safe house, kill Frost’s elite guard forcing Weston and Frost go on the run.
'Safe House'
'Safe House'
Early on in the derivative but fairly absorbing blur titled "Safe House," set in Cape Town, South Africa, Denzel Washington's Tobin Frost, a spy in from the cold, is brought to a Central Intelligence Agency safe house so that he can be asked a few questions about the super-secret intel he has in his possession. Wordlessly, Washington sits in a chair, as a supporting player (Robert Patrick) prepares for the waterboarding, and in one five-second progression Washington smiles, drops his head, lifts it back up - and his face has morphed into that of a man who has killed and will be killing again very soon.
Swedish director Daniel Espinosa took an unusual approach with 'Safe House'
Swedish director Daniel Espinosa took an unusual approach with 'Safe House'
LOS ANGELES - When Universal Pictures hired Daniel Espinosa to direct its rogue CIA agent thriller "Safe House," the studio knew it was rolling the dice. The Swedish filmmaker had never made an English-language feature, he hadn't worked with stars near the magnitude of "Safe House" leads Denzel Washington and Ryan Reynolds, and he was graduating from a $4-million Nordic drug drama to an $85-million production.
Forget fast food toys: 'Lorax' gets green tie-ins
Forget fast food toys: 'Lorax' gets green tie-ins
The Lorax, perhaps the most famous anti-industrial crusader from children's literature, is getting support from companies that are willing to go green.
Kudos to Battelle Film Club for bringing 'The Hedgehog'
Kudos to Battelle Film Club for bringing 'The Hedgehog'
The Hedgehog is a subtitled French film from 2009 that finally got released in the U.S. last year, and thanks to the Battelle Film Club , it will be seen in the Tri-Cities.
The story centers around Paloma, an 11-year old girl whose interests are philosophy and art.
No one in her family can relate. Her parents barely speak to each other much less to Paloma. The disconnected mom talks to plants, and the psychiatrist but can’t talk to her daughter. Dad is nowhere to be found.